Musicians In Ordinary Podcast

John Come Kiss Me Now and Johnny Cock Thy Beaver from The Division Violin

Christopher Verrette, violin, plays divisions by Davis Mell on John Come Kiss Me Now and anonymous divisions on Johnny Cock Thy Beaver from Playford's The Division Violin accompanied by The Musicians In Ordinary Renaissance Violin Band: Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin and John Edwards, lute. 

Masque and Theatre Podcasts-Deanne Williams-John Come Kiss Me Now-Johnny Cock Thy Beaver

Deanne Williams and John Edwards discuss John Milton's Comus, The Lady, Alice Egerton, her experience and her exemplars as a performer. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Davis Mell's divisions on John Come Kiss Me Now and the anonymous Johnny Cock Thy Beaver. 

Antiq Masque-First Witches' Dance-Second Witches' Dance

The Musicians In Ordinary Renaissance Violin Band plays Antiq Masque by John Coprario, and the Robert Johnson's First Witches' Dance and Second Witches Dance from The Masque of Queens by Ben Jonson, probably revived in Middleton's The Witch and Shakespeare's Macbeth. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

Masque and Theatre Podcasts-Natalia Khomenko-VK Preston-Antiq Masque-1st Witches Dance-2nd Witches Dance

Dr. Natalia Khomenko, Lecturer at York Univ. and VK Preston, Asst. Prof. at Univ. of Toronto’s Centre for Drama, Theatre & Performance Studies, talk about depictions of witches in 16th and 17th century England and France. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario’s Antiq Masque and Robert Johnson’s First & Second Witches’ Dances.

The King of Denmark's Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo

The Musicians In Ordinary Renaissance Violin Band plays The King of Denmark's Galliard from John Dowland's Lachrimae or Seven Tears, The Fairy Round from Anthony Holborne's Pavans, Galliards etc., Sir Henry Umpton's Funeral (Dowland) and Paradizo, or The Countess of Pembroke's Paradise (Holborne). Special guest Felix Deak, (viola da gamba) plays Deth by Tobias Hume. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

Masque and Theatre Podcasts-Tom Bishop & Linda Austern-King of Denmarks Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo

Prof. Tom Bishop (Univ. of Auckland) talks about Shakespeare’s Pericles. Prof. Linda Austern (Northwestern U.) talks about music and medicine in the 17th century. Felix Deak plays Deth by Tobias Hume. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Dowland’s King of Denmarks Galiard & Sir Henry Umptons Funerall and Holborne’s Fairie Round & Paradizo.

1st, 2nd and 3rd of the Lords', The Tempest , The Haymakers' Dance, The Nymphs Dance

The Musicians In Ordinary Renaissance String Band, (Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario's dances from The Lord's Masque in versions published in 1617 by William Brade, The Tempest from Squires’ Masque and The Haymakers' Dance (both anon. with viola parts by Christopher Verrette after Brade), and The Nymphs' Dance from Masque of the Inner Temple and Gray's Inn (Coprario/Brade).

Masque and Theatre Podcasts-Stephen Orgel-1st, 2nd, 3rd of the Lords-Tempest-Haymakers Dance

Stephen Orgel, Professor Emeritus at Stanford Univ. talks to John Edwards about the Stuart court masque, its performers, its expressions of power and the meaning of the masque conjured by the triumphant Prospero in The Tempest. The Musicians In Ordinary string band, Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin, play The First, Second & Third of the Lords, The Tempest, The Haymakers Dance and The Nymphs Dance.

Delight Pavan and Delight Galliard-I Cannot Keep my Wife at Home

Delyght Pavan and Delyght Gallyard by John Johnson and the ballad tune I Can not keepe my wife at howme from Margaret Board's Lutebook, played by John Edwards

Board Lutebook Podcasts-George Torres-Deanne Williams-Delyght Pavan & Gallyard-I cannot keepe my wyfe at Howme

George Torres, Prof. in Music at Lafayette College, Deanne Williams, Prof. in English at York University, and John Edwards discuss correspondences between lute instruction manuals and manuals on civility from 16^th and 17^th century in France & England, how lute lessons were also decorum lessons, & the lute lesson in Taming of the Shrew. We hear Delyght Pavan & Gallyard (Johnson) & I Cannot keepe my wyfe at howme (anon.) from Margaret Board’s lutebook.